The Brahmin and the Crooks
The Brahmin and the Crooks: Untruth spoken repeatedly appears to be truth.” In a small village, there lived a Brahmin, by the name of Mitra Sharma. He was a
“Untruth spoken repeatedly appears to be truth.”
In a small village, there lived a Brahmin, by the name of Mitra Sharma. He was a worshipper of Fire-God. One day, during monsoons, when the sky was overcast with cloud, he decided to conduct a certain sacrificial ritual.
The Brahmin travelled to a nearby village, to visit a devotee, to request for a goat that he will offer it as a sacrifice to the Gods.
On his arrival, he requested the devotee, “Son, I want to per form a sacrificial ritual on this auspicious time. Please offer me with a well-fed goat.”
The devotee agreed and offered him with one of his best goats.
The Brahmin started his journey homewards. He carried the goat on his shoulders, so that he did not have problems in controlling the animal on the way home.
On his way home, three crooks watched him from a distance. They were almost starving, and the Brahmin had a goat and he was all alone.
They discussed, “We will be saved from the fangs of hunger in this cold monsoon, if we can lay our hands on this goat that the Brahmin is carrying.”
They decided to trick the Brahmin, in order to gain the goat for themselves.
As planned, the first of the crooks stood in the Brahmin’s path, by taking a shorter road.
When the Brahmin, with the goat on his shoulders, approached him, he queried, “Ho Brahmin, Why is it that you behave so ridiculously?”
“Why on earth are you carrying a profane dog on your shoulders?”
On hearing this, the Brahmin got angry, he replied, “How can you not see any difference between a goat and a dog? Are you blind? Can’t you see I am carrying a sacrificial goat?”
The crook had played his part, and replied, “Please don’t get angry on me. You may have it anyway you want. Please carry on with your journey”.
A little further, he was approached by the second crook, who said, “Ho Brahmin, shame on you! How can you carry this dead calf on your shoulders like that? Shame on you!”
The Brahmin got even angrier, “Are you blind? Can’t you see it is a goat and not a dead calf?”
To this the second crook replied, “Have it anyway you want it to be, please don’t get angry on me.”
When the Brahmin had gone a little further, the third crook accosted him, “Ho Brahmin. This is highly improper for you do something like this. Why do you carry a donkey on your shoulders? Put him down, before anyone sees you doing this!”
Now, the Brahmin started thinking how can three different persons not see that was carrying a goat? He thought that he must be carrying a goblin, which is changing shape all the while.
Fearing so, he put the goat down on the ground and ran home terrified.
The crooks had succeeded in their plan. The crooks caught the goat at once, and feasted on the goat to their heart’s content.
Moral
The wise indeed say: Untruth spoken repeatedly appears to be truth.
Book 3: Story 32
Historical & Cultural Context
The Panchatantra (Sanskrit: Pañcatantra, “five treatises”) is an ancient Indian collection of interlinked animal fables traditionally attributed to Vishnu Sharma in roughly the 3rd century BCE. Composed to teach three reckless princes the arts of governance (niti-shastra), its stories were carried by merchants and translators across Persia, Arabia and Europe, seeding the world’s fable tradition.
This tale belongs to the Mitra-Bheda (The Separation of Friends), the first tantra of Vishnu Sharma’s Panchatantra. The motif of the ‘boy who cried wolf’ is ancient and widespread, appearing in Aesop’s Fables and traced through ATU 922 (The Boy Who Cried Wolf). This story demonstrates the nitishastra principle that one’s word is one’s most valuable asset. In Sanskrit moral philosophy dating to around 200 BCE, consistent honesty is emphasized as essential to maintaining one’s place in society. The tale’s transmission through the Kalila wa Dimna Arabic tradition further spread this foundational lesson about credibility and consequences.
Reflection & Discussion
- Why did the brahmin keep lying about the crooks even though he knew it would hurt him?
- Think of a time when someone lost your trust because they weren’t truthful. How did it change your friendship?
- If the brahmin had told the truth from the start, would the crooks have succeeded anyway?
Did You Know?
- The Panchatantra was written around 200 BCE by Vishnu Sharma to educate three young princes.
- The Panchatantra has been translated into over 50 languages, making it one of the most translated works in history.
- Many of Aesop’s Fables are believed to have roots in the Panchatantra stories.
What This Tale Teaches Us Today
Old stories keep their power because their lessons never stop being useful. Here is how this one still applies:
- Flattery is usually a warning sign. Powerful people should suspect, not welcome, the voices that agree with them too quickly.
- Small creatures with sharp minds outlast powerful fools. That pattern is as useful in modern workplaces as in ancient courts.
- Alliances shift with circumstance. Trust is earned over time, not granted by titles or speeches.
Why This Story Still Matters
This folk story from the Panchatantra preserves wisdom that Indian teachers have used for over two thousand years to teach practical ethics. The Brahmin and the Crooks is a small but finished piece of moral engineering – each character represents a recognizable human type, each decision is a lesson in how people actually behave. Indian grandparents still tell these stories to grandchildren for the same reason ancient royal tutors told them to young princes: because the patterns described in the Panchatantra are eternal. Those who listen early in life make better decisions for the rest of it.
Cultural Context and Continuing Influence
Folk tales like this one survived for hundreds of years through oral storytelling before any scholar thought to write them down. Grandparents told them to grandchildren, travelers traded them along roads and rivers, and mothers repeated them to babies who would one day repeat them to their own children. Each small retelling sharpened the story, discarded unnecessary parts, and polished the essential lesson. That long process of refinement is why a good folk tale feels so weighty – it has been shaped by thousands of listeners across generations, each contributing something small to the story we read today.
Modern readers sometimes wonder whether folk tales are still relevant in an age of apps and smartphones. The answer is yes, perhaps more than ever. The technology changes, but the underlying questions – about kindness, courage, loyalty, greed, family, fear, love – do not. These are the same questions that children asked around a fire in ancient India, around a hearth in medieval Ireland, around a campfire in 19th-century Korea. And they are the same questions children ask their parents today, just phrased differently. That is why a family that reads folk tales together is doing real cultural and emotional work, not simply entertaining itself.
Reading Folk Tales With Children
Reading folk tales aloud to children is one of the oldest and most effective forms of moral education. Unlike a lecture or a rule, a story slides past a child’s natural resistance and plants its lesson in the imagination, where it quietly grows. Years later, when the child meets a real situation that resembles the story – a bully at school, a dishonest coworker, a moment of temptation – the old tale rises to the surface of memory and offers guidance. That is why parents and teachers across every culture have trusted stories to do the work of raising good humans, long before formal schools or textbooks existed.
When reading this story with a young listener, try pausing at key moments and asking what the child thinks will happen next. Let them guess, even if they are wrong. That small act of prediction turns a passive listener into an active thinker. After the story ends, a simple open question – “What would you have done?” or “Who do you think was the smartest character?” – invites the child to connect the tale to their own life. Those conversations are where real learning happens, not during the reading itself but in the quiet moments that follow.
Older children and teenagers sometimes think they have outgrown folk tales. In reality, the best tales only deepen with age. A ten-year-old hears the surface plot; a fifteen-year-old notices the irony; a twenty-year-old sees the economic and political pressures on the characters; a forty-year-old understands the parents in the story for the first time. A good folk tale is a gift that keeps unfolding for decades. Families who read and reread the same stories across the years discover this naturally, and pass the discovery down.
A Final Word
Every folk tale carries within it the accumulated judgment of thousands of listeners across many generations. When a story has been told for a thousand years and still moves children today, that is not an accident. It is proof that the story is saying something true about the human condition. The wiser the listener, the more they see in a tale they have heard a hundred times before. Reading these stories slowly, out loud, with children beside us, we are joining the longest conversation our species has ever had with itself. Every tale we share is a quiet vote for patience, for meaning, and for the old idea that a good story is one of the finest things one generation can hand down to the next.
We hope this telling gave you something worth carrying into your day – a small lesson, a useful image, a question to ask your child at dinner. Folk tales do their best work in the hours and years after the reading ends, quietly shaping how we see the world and each other. Thank you for spending time with this story, and for keeping the old tradition of careful listening and thoughtful retelling alive.