The Black Horse

nce there was a king and he had three sons, and when the king died, they did not give a shade of anything to the youngest son, but an old white limping garron.

“If I get but this,” quoth he, “it seems that I had best go with this same.”

He was going with it right before him, sometimes walking, sometimes riding. When he had been riding a good while he thought that the garron would need a while of eating, so he came down to earth, and what should he see coming out of the heart of the western airt towards him but a rider riding high, well, and right well.

“All hail, my lad,” said he.

“Hail, king’s son,” said the other.

“What’s your news?” said the king’s son.

“I have got that,” said the lad who came. “I am after breaking my heart riding this ass of a horse; but will you give me the limping white garron for him?”

“No,” said the prince; “it would be a bad business for me.”[58]

“You need not fear,” said the man that came, “there is no saying but that you might make better use of him than I. He has one value, there is no single place that you can think of in the four parts of the wheel of the world that the black horse will not take you there.”

So the king’s son got the black horse, and he gave the limping white garron.

Where should he think of being when he mounted but in the Realm Underwaves. He went, and before sunrise on the morrow he was there. What should he find when he got there but the son of the King Underwaves holding a Court, and the people of the realm gathered to see if there was any one who would undertake to go to seek the daughter of the King of the Greeks to be the prince’s wife. No one came forward, when who should come up but the rider of the black horse.

“You, rider of the black horse,” said the prince, “I lay you under crosses and under spells to have the daughter of the King of the Greeks here before the sun rises to-morrow.”

He went out and he reached the black horse and leaned his elbow on his mane, and he heaved a sigh.

“Sigh of a king’s son under spells!” said the horse; “but have no care; we shall do the thing that was set before you.” And so off they went.

“Now,” said the horse, “when we get near the great town of the Greeks, you will notice that the four feet of a horse never went to the town before. The king’s daughter will see me from the top of the castle looking out of a window, and she will not be content without a turn of a ride upon me. Say that she may have that, but the horse[59] will suffer no man but you to ride before a woman on him.”

They came near the big town, and he fell to horsemanship; and the princess was looking out of the windows, and noticed the horse. The horsemanship pleased her, and she came out just as the horse had come.

“Give me a ride on the horse,” said she.

“You shall have that,” said he, “but the horse will let no man ride him before a woman but me.”

“I have a horseman of my own,” said she.

“If so, set him in front,” said he.

Before the horseman mounted at all, when he tried to get up, the horse lifted his legs and kicked him off.[60]

“Come then yourself and mount before me,” said she; “I won’t leave the matter so.”

He mounted the horse and she behind him, and before she glanced from her she was nearer sky than earth. He was in Realm Underwaves with her before sunrise.

“You are come,” said Prince Underwaves.

“I am come,” said he.

“There you are, my hero,” said the prince. “You are the son of a king, but I am a son of success. Anyhow, we shall have no delay or neglect now, but a wedding.”

“Just gently,” said the princess; “your wedding is not so short a way off as you suppose. Till I get the silver cup that my grandmother had at her wedding, and that my mother had as well, I will not marry, for I need to have it at my own wedding.”

“You, rider of the black horse,” said the Prince Underwaves, “I set you under spells and under crosses unless the silver cup is here before dawn to-morrow.”

Out he went and reached the horse and leaned his elbow on his mane, and he heaved a sigh.

“Sigh of a king’s son under spells!” said the horse; “mount and you shall get the silver cup. The people of the realm are gathered about the king to-night, for he has missed his daughter, and when you get to the palace go in and leave me without; they will have the cup there going round the company. Go in and sit in their midst. Say nothing, and seem to be as one of the people of the place. But when the cup comes round to you, take it under your oxter, and come out to me with it, and we’ll go.”

Away they went and they got to Greece, and he went in to the palace and did as the black horse bade. He took[61] the cup and came out and mounted, and before sunrise he was in the Realm Underwaves.

“You are come,” said Prince Underwaves.

“I am come,” said he.

“We had better get married now,” said the prince to the Greek princess.

“Slowly and softly,” said she. “I will not marry till I get the silver ring that my grandmother and my mother wore when they were wedded.”

“You, rider of the black horse,” said the Prince Underwaves, “do that. Let’s have that ring here to-morrow at sunrise.”

The lad went to the black horse and put his elbow on his crest and told him how it was.

“There never was a matter set before me harder than this matter which has now been set in front of me,” said the horse, “but there is no help for it at any rate. Mount me. There is a snow mountain and an ice mountain and a mountain of fire between us and the winning of that ring. It is right hard for us to pass them.”

Thus they went as they were, and about a mile from the snow mountain they were in a bad case with cold. As they came near it he struck the horse, and with the bound he gave the black horse was on the top of the snow mountain; at the next bound he was on the top of the ice mountain; at the third bound he went through the mountain of fire. When he had passed the mountains he was dragging at the horse’s neck, as though he were about to lose himself. He went on before him down to a town below.

“Go down,” said the black horse, “to a smithy; make an iron spike for every bone end in me.”[62]

Down he went as the horse desired, and he got the spikes made, and back he came with them.

“Stick them into me,” said the horse, “every spike of them in every bone end that I have.”

That he did; he stuck the spikes into the horse.

“There is a loch here,” said the horse, “four miles long and four miles wide, and when I go out into it the loch will take fire and blaze. If you see the Loch of Fire going out before the sun rises, expect me, and if not, go your way.”

Out went the black horse into the lake, and the lake became flame. Long was he stretched about the lake, beating his palms and roaring. Day came, and the loch did not go out.

But at the hour when the sun was rising out of the water the lake went out.

And the black horse rose in the middle of the water with one single spike in him, and the ring upon its end.

He came on shore, and down he fell beside the loch.

Then down went the rider. He got the ring, and he dragged the horse down to the side of a hill. He fell to sheltering him with his arms about him, and as the sun was rising he got better and better, till about midday, when he rose on his feet.

“Mount,” said the horse, “and let us begone.”

He mounted on the black horse, and away they went.

He reached the mountains, and he leaped the horse at the fire mountain and was on the top. From the mountain of fire he leaped to the mountain of ice, and from the mountain of ice to the mountain of snow. He put the mountains[63] past him, and by morning he was in realm under the waves.

“You are come,” said the prince.

“That’s true,” said Prince Underwaves. “A king’s son are you, but a son of success am I. We shall have no more mistakes and delays, but a wedding this time.”

“Go easy,” said the Princess of the Greeks. “Your wedding is not so near as you think yet. Till you make a castle, I won’t marry you. Not to your father’s castle nor to your mother’s will I go to dwell; but make me a castle for which your father’s castle will not make washing water.”

“You, rider of the black horse, make that,” said Prince Underwaves, “before the morrow’s sun rises.”

The lad went out to the horse and leaned his elbow on his neck and sighed, thinking that this castle never could be made for ever.

“There never came a turn in my road yet that is easier for me to pass than this,” said the black horse.

Glance that the lad gave from him he saw all that there were, and ever so many wrights and stone masons at work, and the castle was ready before the sun rose.

He shouted at the Prince Underwaves, and he saw the castle. He tried to pluck out his eye, thinking that it was a false sight.

“Son of King Underwaves,” said the rider of the black horse, “don’t think that you have a false sight; this is a true sight.”

“That’s true,” said the prince. “You are a son of success, but I am a son of success too. There will be no more mistakes and delays, but a wedding now.”[64]

“No,” said she. “The time is come. Should we not go to look at the castle? There’s time enough to get married before the night comes.”

They went to the castle and the castle was without a “but”——

“I see one,” said the prince. “One want at least to be made good. A well to be made inside, so that water may not be far to fetch when there is a feast or a wedding in the castle.”

“That won’t be long undone,” said the rider of the black horse.

The well was made, and it was seven fathoms deep and two or three fathoms wide, and they looked at the well on the way to the wedding.

“It is very well made,” said she, “but for one little fault yonder.”

“Where is it?” said Prince Underwaves.

He bent him down to look. She came out, and she put her two hands at his back, and cast him in.

“Be thou there,” said she. “If I go to be married, thou art not the man; but the man who did each exploit that has been done, and, if he chooses, him will I have.”

Away she went with the rider of the little black horse to the wedding.

And at the end of three years after that so it was that he first remembered the black horse or where he left him.

He got up and went out, and he was very sorry for his neglect of the black horse. He found him just where he left him.[65]

“Good luck to you, gentleman,” said the horse. “You seem as if you had got something that you like better than me.”

“I have not got that, and I won’t; but it came over me to forget you,” said he.

“I don’t mind,” said the horse, “it will make no difference. Raise your sword and smite off my head.”

“Fortune will now allow that I should do that,” said he.

“Do it instantly, or I will do it to you,” said the horse.

So the lad drew his sword and smote off the horse’s head; then he lifted his two palms and uttered a doleful cry.

What should he hear behind him but “All hail, my brother-in-law.”

He looked behind him, and there was the finest man he ever set eyes upon.

“What set you weeping for the black horse?” said he.

“This,” said the lad, “that there never was born of man or beast a creature in this world that I was fonder of.”

“Would you take me for him?” said the stranger.

“If I could think you the horse, I would; but if not, I would rather the horse,” said the rider.

“I am the black horse,” said the lad, “and if I were not, how should you have all these things that you went to seek in my father’s house. Since I went under spells, many a man have I ran at before you met me. They had but one word amongst them: they could not keep me, nor[66] manage me, and they never kept me a couple of days. But when I fell in with you, you kept me till the time ran out that was to come from the spells. And now you shall go home with me, and we will make a wedding in my father’s house.”

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Moral

The youngest brother’s trust in the black horse, where others saw only danger, brought him the greatest reward. Faith in the seemingly worthless changes everything.

Historical & Cultural Context

Celtic folk tales emerge from the Gaelic, Welsh and Breton storytelling traditions, weaving fairy lore, saints and heroes (like Fionn mac Cumhaill and Cuchulain) with the thin veil between the mortal world and the Otherworld.

This Irish tale exemplifies the magical-horse motif pervasive in the Fionn cycle and broader Celtic mythology. The black horse, often a supernatural being in disguise, represents the Otherworld’s hidden assistance to the virtuous. Joseph Jacobs documented such helper-animals in Irish folklore, linking them to the shapeshifting tradition of the Tuatha Dé Danann and the sidhe. The youngest brother’s success through faith rather than strength mirrors Ulster Cycle values and the hero’s reliance on magical allies. The tale encodes a fundamental Celtic lesson: that the apparent and the real are often opposites, and trust in the magical serves the deserving.

Reflection & Discussion

1. Why do the elder brothers dismiss the black horse where the youngest trusts it?
2. What does the horse’s transformation reveal about hidden nature?
3. Is faith in the mysterious ever truly foolish?

Did You Know?

• Irish fairy tales feature the Tuatha Dé Danann, a mythical race of supernatural beings said to have inhabited Ireland before the Celts.
• The leprechaun, one of Ireland’s most famous fairy creatures, originally appeared as a water sprite in ancient Celtic folklore.
• Celtic storytellers, known as ‘seanchaí,’ were among the most respected members of Irish society for centuries.

What This Tale Teaches Us Today

Old stories keep their power because their lessons never stop being useful. Here is how this one still applies:

• Traditional stories remind us that wisdom belongs to many cultures. No single tradition holds all the answers.
• Reading folk tales aloud to children builds vocabulary, imagination, and a sense of cultural inheritance.
• Stories that have survived for centuries have done so because their lessons still work.

Why This Story Still Matters

The Black Horse joins a vast global library of folk tales that human beings have been telling one another for thousands of years. Every culture has produced its own stories, but the deepest themes – courage, kindness, cleverness, loyalty, the cost of greed – appear again and again in different clothes. Modern readers who spend time with folk tales inherit something precious: a sense that people have always wrestled with the same basic questions, and that good stories can still help us find good answers. That is why these tales persist. Each one is a small tool for living, handed down quietly through generations.

Cultural Context and Continuing Influence

Folk tales like this one survived for hundreds of years through oral storytelling before any scholar thought to write them down. Grandparents told them to grandchildren, travelers traded them along roads and rivers, and mothers repeated them to babies who would one day repeat them to their own children. Each small retelling sharpened the story, discarded unnecessary parts, and polished the essential lesson. That long process of refinement is why a good folk tale feels so weighty – it has been shaped by thousands of listeners across generations, each contributing something small to the story we read today.

Modern readers sometimes wonder whether folk tales are still relevant in an age of apps and smartphones. The answer is yes, perhaps more than ever. The technology changes, but the underlying questions – about kindness, courage, loyalty, greed, family, fear, love – do not. These are the same questions that children asked around a fire in ancient India, around a hearth in medieval Ireland, around a campfire in 19th-century Korea. And they are the same questions children ask their parents today, just phrased differently. That is why a family that reads folk tales together is doing real cultural and emotional work, not simply entertaining itself.